ArchivesSpace at the University of Iowa

The high density of the markings of the images is similar to the early work created by El Hanani, also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The colors appear so vibrant that it seems that the images were drawn rather than printed. -- Source of annotation: Marvin or Ruth Sackner.

The drawing, that forms the back cover, consists of a fragmented rectangle of gold leaf paint placed upon a background of brown paint. This image is Baker's signature style. -- Source of annotation: Marvin or Ruth Sackner.

This newspaper is made up wholly of calligraphic markings and sections which appear to have been cancelled. The appearance is reminiscent of Constantine Xenakis' newspaper with hieroglyphic shapes. -- Source of annotation: Marvin or Ruth Sackner.

The calligraphic lines are printed in varying colors on the recto, and printed grey on the verso fold-out side of each page. The loose sheet states that the book is titled Double poem "because bending the pages, coloured poem becomes grey poem." -- Source of annotation: Marvin or Ruth Sackner.

This book contains excerpts from decades of Marily Rosenberg's visual poetry artist's books. It includes work by David Cole. -- Source of annotation: Marvin or Ruth Sackner.

The title translated into English means Gazelles. -- Source of annotation: Marvin or Ruth Sackner.

This copy of the book with unbound prints has different additions in ink, graphite and crayon than the spiral bound copy that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

All the pages are filled with small calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.

The text consists of calligraphic markings formatted into paragraphs without any punctuation marks. -- Source of annotation: Marvin or Ruth Sackner.

Sharoff writes, "A doodle doesn't happen by accident. It's there waiting for you when you're not looking, and you don't even realize that your're already in its power..." The prints are based on the freedon and whimsy of doodles. The inserts are actual doodles reproduced by laser printing. This work is enriched with two extra engravings labeled 2/45. The typography was done by Francois DaRos. -- Source of annotation: Marvin or Ruth Sackner.

The inscription to Ruth y Marvin is written with a bold calligraphic style. This book consists of a compendium of Ferrari's images. Also features Ferrari's ideographic code. This book reproduces two drawings, P4CD, Labirinto 5, & P4R, that are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The pages depict thick, black and green, brush stroked letters and symbols printed over or within a red, rectangular grid, background. One of the facing pages is torn owing to the stickling togerther of the ink. -- Source of annotation: Marvin or Ruth Sackner.

The pages depict thick, black and green, brush stroked letters and symbols printed over or within a red, rectangular grid, background -- Source of annotation: Marvin or Ruth Sackner.

Groborne is an artist, calligrapher, and sculptor who lives in Paris. -- Source of annotation: Marvin or Ruth Sackner.

The work consists of an artist book and a cardboard, constructivistic relief. -- Source of annotation: Marvin or Ruth Sackner.